{"id":9695,"date":"2021-10-07T09:43:57","date_gmt":"2021-10-07T07:43:57","guid":{"rendered":"http:\/\/www.photoclubsavenay.com\/blogWP\/?p=9695"},"modified":"2023-02-06T20:35:07","modified_gmt":"2023-02-06T19:35:07","slug":"seance-du-22-octobre-2021","status":"publish","type":"post","link":"https:\/\/www.photoclubsavenay.com\/blogWP\/seance-du-22-octobre-2021\/","title":{"rendered":"S\u00e9ance du 22 octobre 2021"},"content":{"rendered":"

Andr\u00e9 KERTESZ<\/h2>\n

Ce photographe nous a \u00e9t\u00e9 pr\u00e9sent\u00e9 par Catherine lors de la s\u00e9ance du 1er octobre 2021.<\/strong><\/p>\n

ANDRE KERTESZ<\/strong>
\n1894-1985<\/strong>
\nBudapest \u2013 Paris \u2013 New York<\/strong><\/p>\n

Bibliographie :<\/strong>
\n– Andr\u00e9 Kert\u00e9sz<\/strong>, par No\u00ebl Bourcier, 2001, r\u00e9\u00e9d. 2006, Phaidon, Paris.
\n– Andr\u00e9 Kert\u00e9sz<\/strong>, Michel Frizot \/ Annie-Laure Wanaverbecq, \u00e9d. Hazan \/ Jeu de Paume, 2010, Paris.<\/p>\n

Rep\u00e8res biographiques :<\/strong>
\nBudapest : 1894-1925 :<\/strong><\/p>\n

– 1894 : Naissance le 02 juillet, \u00e0 Budapest, Empire austro-hongrois.
\n– Famille juive de classe moyenne, petit commerce (p\u00e8re libraire, m\u00e8re salon de th\u00e9).
\n– Un fr\u00e8re a\u00een\u00e9 (5 ans de +), un fr\u00e8re cadet (3 ans de -).
\n– 1909 : Au d\u00e9c\u00e8s de son p\u00e8re (tuberculose), Andr\u00e9, 15 ans, \u00e9lev\u00e9 d\u00e8s lors par sa m\u00e8re et son oncle, entame des \u00e9tudes commerciales.
\n– 1912 : Employ\u00e9 \u00e0 la Bourse du Commerce de Budapest.
\n– 1912 : 1er appareil photo, offert par sa m\u00e8re ; il shoote son entourage, son quotidien, son fr\u00e8re cadet.
\n– 1914-1918 : 1\u00e8re Guerre Mondiale : il est volontaire pour le Front, et continue de shooter (le quotidien des soldats).
\n– 1915 : Gravement bless\u00e9, il continue de shooter ; un autre appareil photo lui a \u00e9t\u00e9 envoy\u00e9 par son fr\u00e8re cadet et sa m\u00e8re.
\n– 1918 : A la fin de la Guerre, il retrouve un emploi \u00e0 la Bourse du Commerce de Budapest.
\n– 1919 : Rencontre d\u2019Elisabeth Sali, + jeune que lui : son grand amour.
\n– 1925 : Pas de perspectives d\u2019avenir, Empire austro-hongrois d\u00e9mantel\u00e9, nouveau r\u00e9gime pas favorable aux Juifs = d\u00e9cision de partir \u00e0 Paris (communaut\u00e9 hongroise \u00e0 Paris, et Berlin, mais Andr\u00e9 ne parle pas allemand) sans Elisabeth, qui devrait le rejoindre lorsque tout sera stabilis\u00e9.<\/p>\n

Paris : 1925-1936 :<\/strong><\/p>\n

– 1925 : Arriv\u00e9e \u00e0 Paris : visa de \u00ab photoreporter \u00bb ; un appareil photo suppl\u00e9mentaire.
\n– Andr\u00e9 fr\u00e9quente le cercle d\u2019\u00e9migr\u00e9s hongrois de Paris, les milieux artistiques d\u2019Avant-Garde, et obtient des commandes de diff\u00e9rents magazines en tant que photographe ind\u00e9pendant. Il shoote beaucoup.
\n– Andr\u00e9 initie le futur Brassa\u00ef (Jules Halasz) \u00e0 la photo ; de m\u00eame pour Rogi Andr\u00e9 (Rozsa Klein) qui devient son \u00e9pouse en 1928 (br\u00e8ve union de 2 ans, divorce en 1932).
\n– 1928 : Andr\u00e9 s\u2019offre un Leica tout juste commercialis\u00e9. Il devient collaborateur r\u00e9gulier du magazine Vu.
\n– 1931 : Elisabeth le rejoint.
\n– 1933 : Mariage avec Elisabeth le 17 juin. D\u00e9c\u00e8s de sa m\u00e8re le 28 juin. Publication de son 1er livre.
\n– 1934 : Impression de v\u00e9g\u00e9ter. De nombreux compatriotes quittent Paris pour Londres ou les USA.
\n– 1936 : Apr\u00e8s avoir obtenu un contrat avec l\u2019agence am\u00e9ricaine Keystone, il part pour New York.<\/p>\n

New York : 1936-1985 :<\/strong><\/p>\n

– 1936 : Andr\u00e9 et Elisabeth (qui travaille pour un labo cosm\u00e9tique) arrivent \u00e0 New York en octobre.
\n– 1937 : Rupture du contrat avec Keystone (qui avait fourni les visas) et demande de naturalisation.
\n– Jusqu\u2019en 1944 : Travail de photographe sans passion, pudibonderie am\u00e9ricaine, obstacle de sa nationalit\u00e9 d\u2019origine.
\n– 1944 : Naturalisation d\u2019Andr\u00e9 et Elisabeth.
\n– 1945-46 : Contrat d\u2019exclusivit\u00e9 avec le magazine Vogue, reconduit d\u2019ann\u00e9e en ann\u00e9e, sans passion.
\n– 1952 : Achat de son appartement new yorkais (avec balcon, au 12\u00e8me \u00e9tage) pour son point de vue.
\n– 1957 : D\u00e9c\u00e8s de son fr\u00e8re a\u00een\u00e9.
\n– 1961-62 : Ne reconduit pas son contrat. Reprend contact avec son petit fr\u00e8re install\u00e9 en Argentine.
\n– 1962-63 : Red\u00e9couverte de ses plaques et n\u00e9gatifs. Nouvelle cr\u00e9ativit\u00e9. Reconnaissance.
\n– 1977 : D\u00e9c\u00e8s d\u2019Elisabeth d\u2019un cancer, le 21 octobre. Regain d\u2019activit\u00e9.
\n– 1978 : Cr\u00e9ation \u00e0 New York de la Fondation Andr\u00e9 et Elisabeth Kert\u00e8sz.
\n– 1984 : Donation de ses archives photographiques \u00e0 la France.
\n– 1985 : Dernier voyage en Argentine (expo perso \u00e0 Buenos Aires), o\u00f9 son petit fr\u00e8re est inconscient (victime d\u2019AVC), et retour \u00e0 New York, us\u00e9.
\n– 1985 : D\u00e9c\u00e8s le 28 septembre.<\/p>\n

\u00ab A chaque fois que Kert\u00e9sz d\u00e9clenche, je sens son c\u0153ur battre \u00bb
\n                                                                            Henri Cartier-Bresson<\/strong><\/p>\n

– Sentiment.
\n– Solitude, isolement.
\n– G\u00e9om\u00e9trie, graphisme ; ombres ; nocturnes.
\n– Distorsions ; portraits d\u00e9cal\u00e9s.
\n– Vues en plong\u00e9e ; recadrages.<\/p>\n

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Photos extraites du livre “…..” Utilisation commerciale non autoris\u00e9e.<\/p>\n

\n
\u00ab J\u2019interpr\u00e8te ce que \nje ressens \u00e0 un moment donn\u00e9. \nPas ce que je vois, \nmais ce que je ressens \u00bb<\/b> <\/b> \nAndr\u00e9 Kert\u00e9sz<\/i><\/b><\/pre>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"
Andr\u00e9 KERTESZ Ce photographe nous a \u00e9t\u00e9 pr\u00e9sent\u00e9 par Catherine lors de la s\u00e9ance du 1er octobre 2021. ANDRE KERTESZ 1894-1985 Budapest \u2013 Paris \u2013 New York Bibliographie : – Andr\u00e9 Kert\u00e9sz, par No\u00ebl Bourcier, 2001, r\u00e9\u00e9d. 2006, Phaidon, Paris. – Andr\u00e9 Kert\u00e9sz, Michel Frizot \/ Annie-Laure Wanaverbecq, \u00e9d. Hazan \/ Jeu de Paume, 2010, […]<\/p>\n","protected":false},"author":482,"featured_media":12443,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"cybocfi_hide_featured_image":"yes","footnotes":""},"categories":[97],"tags":[],"class_list":["post-9695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-infos-membres"],"uagb_featured_image_src":{"full":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances.png",1080,1080,false],"thumbnail":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances-150x150.png",150,150,true],"medium":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances-300x300.png",300,300,true],"medium_large":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances-768x768.png",768,768,true],"large":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances-1024x1024.png",1024,1024,true],"1536x1536":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances.png",1080,1080,false],"2048x2048":["https:\/\/www.photoclubsavenay.com\/blogWP\/wp-content\/uploads\/2022\/12\/Seances.png",1080,1080,false]},"uagb_author_info":{"display_name":"PhotoClub Savenay","author_link":"https:\/\/www.photoclubsavenay.com\/blogWP\/author\/photoclubsavenay\/"},"uagb_comment_info":0,"uagb_excerpt":"Andr\u00e9 KERTESZ Ce photographe nous a \u00e9t\u00e9 pr\u00e9sent\u00e9 par Catherine lors de la s\u00e9ance du 1er octobre 2021. ANDRE KERTESZ 1894-1985 Budapest \u2013 Paris \u2013 New York Bibliographie : – Andr\u00e9 Kert\u00e9sz, par No\u00ebl Bourcier, 2001, r\u00e9\u00e9d. 2006, Phaidon, Paris. – Andr\u00e9 Kert\u00e9sz, Michel Frizot \/ Annie-Laure Wanaverbecq, \u00e9d. Hazan \/ Jeu de Paume, 2010,\u2026","_links":{"self":[{"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/posts\/9695"}],"collection":[{"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/users\/482"}],"replies":[{"embeddable":true,"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/comments?post=9695"}],"version-history":[{"count":0,"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/posts\/9695\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/media\/12443"}],"wp:attachment":[{"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/media?parent=9695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/categories?post=9695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.photoclubsavenay.com\/blogWP\/wp-json\/wp\/v2\/tags?post=9695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}